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Aesthetics of Ugliness: A Critical Edition By Karl Rosenkranz

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Sales Rank: #1181624 in Books
Published on: 2015-07-30
Released on: 2015-07-30
Original language: English
Number of items: 1
Dimensions: 8.74" h x 1.27" w x 5.95" l, .0 pounds
Binding: Hardcover
344 pages

Review

“The great value of the concept of ugliness is dialectical. The contrast with the beautiful can be a distinct way of illuminating that notion, and therewith the ideal of art as such. Appropriately, the Hegel biographer and expositor Karl Rosenkranz's Aesthetics of Ugliness, here carefully edited, lucidly introduced and elegantly translated by Andrei Pop and Mechtild Widrich, shows us in detail how one might understand this contrast. Along the way, various fundamental issues in aesthetics and in the self-understanding of modernity are also illuminated. This edition and translation is a very valuable contribution to any discussion of such fundamental issues.” ―Robert Pippin, Professor, the Committee on Social Thought, Department of Philosophy, University of Chicago, USA

“The great value of the concept of ugliness is dialectical. The contrast with the beautiful can be a distinct way of illuminating that notion, and with it the ideal of art as such. Karl Rosenkranz's Aesthetics of Ugliness, here carefully edited, lucidly introduced, and elegantly translated by Andrei Pop and Mechtild Widrich, shows us in detail how one might understand this contrast, illuminating fundamental issues in aesthetics and in the self-understanding of modernity along the way – a very valuable contribution to any discussion.” ―Robert Pippin, Professor, the Committee on Social Thought, Department of Philosophy, University of Chicago, USA

About the Author

Karl Rosenkranz (1805 –1879) was a German philosopher. He followed Kant and Herbart as professor of philosophy in Königsberg; in 1848-49 he took part in the reform government in Berlin.

Andrei Pop is Associate Professor in the John U. Nef Committee on Social Thought at the University of Chicago.

Mechtild Widrich is Assistant Professor of Contemporary Art History in the School of the Art Institute of Chicago, USA.

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